“I kept talking about the Skype sequence like in a romantic comedy where the main characters are trying on different outfits until they find the perfect dress,” Song told IndieWire. Robert Eggers Says ‘Nosferatu’ Remake Was Almost a ‘Failure’: We Survived a ‘Difficult Shoot’ It eventually leads Nora to stop talking to Hae Sung so she can jump fully into her life as an emerging writer in New York City. It was important to Song that the audience experience the warmth of the odd little Skype bubble that Hae Sung and Nora create, but also the disconnecting forces pulling at them. In the middle section of the film, where Hae Sung and Nora reconnect 12 years after Nora’s family immigrated to Canada, what makes their relationship feel both special and burdensome is the time difference. The A24 film shows their relationship in three very different places and times - as children in Seoul, as young adults reconnecting over the internet from different continents, and then meeting again in New York City years later - and while they’re always wonderful foils and complements for each other, at each point, something isn’t quite right. Writer and director Celine Song presents a question at the very beginning of “ Past Lives”: Who are these people sitting together at a cozy Lower East Side bar? But the answer is as much about place as it is about Hae Sung (Tao Yoo) and Nora ( Greta Lee).
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